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RECENT WORK

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    Protected: Angiogenesis

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    The land of Hyangs

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    Who said fragile?!

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See my latest work on Instagram

“Who said fragile?!” A self-portrait created Nove “Who said fragile?!”

A self-portrait created November 2025, 11 months after my last chemo treatments, and celebrates the power of being alive, having overcome illness, returning to a new normal and giving less f*cks going forward.

The work is a direct comment to my wrestle with breast cancer 2024-25, and connected to my treatment series “1 in 8” which was shortlisted for the Sony World Photography Awards this spring.

#mariafynsknorup #noisacompletesentence #breatscancer #brystkræft #pvmondayreturn @photovogue
“Heart’s Whisper” in a quiet corner of the house. “Heart’s Whisper” in a quiet corner of the house.

#mariafynsknorup #fineartphotography
Introducing "Shedding and becoming" My latest per Introducing "Shedding and becoming"

My latest performance work.

'To let go of old versions of ourselves, old fears and habits that once kept us safe but no longer reflect who we are becoming.'

Video with sound
.MP4 | 1080 x 1920 | 50fps | 1m 6s

Ærø, DK, June 2026

#mariafynsknorup #performanceart
Bali Flower Portraits - the poetry of form The Ba Bali Flower Portraits - the poetry of form

The Bali Flower Portraits series consists of 16 photographic works of plants collected and captured on Bali during a month long art residency in November 2025. 

They are gentle musings on the poetry of form within the plant kingdom, seeing the plants as sculptural entities in their own right. Observing plants and flowers through this lens pays homage to the work of early 1900s photographers like Karl Blossfeldt and Imogen Cunningham - but this classical rendition, almost reminiscent of herbarium collections, is also the first deliberate homage to my own background and education in classical and evolutionary botany. 

During my years at Kew Gardens, London, I took part in countless plant identification sessions of tropical plants sent to the herbarium from abroad, slowly internalising the forms and structures that distinguishes plant species, genera and families.

Each work in this series carries its own label in that same spirit - full binomial, common name, native range, biome, and the place and date of collection - so that the photograph and the specimen record sit side by side, exactly as they would on a herbarium sheet.

‘Bali Flower Portraits - the poetry of form’ poetically connects my artistic practice with my education directly, combining my fascination with flora, beauty and form in these classical flower studies where the camera gently documents and reveals the essence of the plant.

Presented by @hash.gallery.art and available at @verse_works as 1/1 unique digital originals.

Please contact Hash Gallery or me directly for directions on how to acquire the works if you are unfamiliar with collecting works on blockchain.

#mariafynsknorup #fineartphotography
“Like blood and salt water II” ⠀⠀⠀⠀⠀⠀⠀⠀⠀ (selfport “Like blood and salt water II”
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(selfportrait, 2022)
Double exposure photography
I'm grateful to share that 'Acceptance' from my se I'm grateful to share that 'Acceptance' from my series '1 in 8' has been included in the beautiful curation "Behind the Curtain" by @tootiredproject 

The exhibition is a collection of lens based work that explores the transformative experience of using visual language to share unfiltered stories of struggle, love, loss and connection 🤍

Thank you so much to the team at Too Tired Project for showcasing my work along so many amazing peers!

Link in my bio to the exhibition

#tootiredproject #behindthecurtain #photographyexhibition #artastherapy
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© 2026 Maria Fynsk Norup. All material on this website is protected by copyright. Copying, distribution or other use is not allowed without prior permission.

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